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Chad Pastotnik, Deep Wood Press

~ Fine letterpress and intaglio printing ~ Celebrating 30 years in 2022

Chad Pastotnik, Deep Wood Press

Tag Archives: linocut

A Broadside for Terrance Hayes ~ process

01 Saturday Nov 2014

Posted by Deep Wood Press in Broadsides, Education, Letterpress, Printing

≈ 1 Comment

Tags

Broadside, Chad Pastotnik, frustration, Letterpress, linocut, Terrance Hayes, typography

I’ve admired the poetry of Terrance Hayes since a friend recommended him a couple of years ago so when I got word he was coming to my part of the world I took note, and made a few inquiries. I had done a broadside for Robert Hass when he came to Interlochen Center for the Arts in 2006 so had already set a precedence for the project to happen and they were very receptive. Then the game of working with an author and their publisher on a short schedule for selection and proper clearance began!

I was sent the piece Bower which is excerpted from the poem Arbor for Butch in the book Lighthead. I was familiar with the poem as a whole and struggled with what sort of art or ornamentation this fragment of a poem should/could have accompany it. In the end I decided to let these four lines of text stand on their own and this was probably influenced by the fact that I had a linocut I’d done but hadn’t used for anything “bookish” yet which fit well with the poem especially after hacking a bit off the top of the block. Also, time was short, I had to work with materials and paper I had on hand, no time to order anything in.

finsigned2

So here it is as it turned out. Three colors on mould-made German Zerkall Frankfurt cream paper, 15 x 8.5 inches, hand set in Garamond in 24 and 72pt type and printed on my Vandercook 219OS with an additional bit of text on the back commemorating the evening and credits. The paper was not ideal, it is a beautiful sheet but the pronounced laid lines from the mould made printing the solids on the linoleum block quite difficult solved by being diligent with ink, a soft packing and running the sheet through the press twice. The Frankfurt paper was the only nice stock I had in enough quantity to do 100 broadsides so the dimensions of the broadside were more or less dictated by how the sheets could be divided and since it had such a lovely deckle edge from the mould, 100 is a small enough quantity to tear down by hand.

From the beginning I planned on the text running into the linocut so had made paper cut outs of the proofed text and moved it around with prints pulled from the linocut to plan my composition. I printed the lino first but now, to my eye, I feel the text crowds the image and would have benefitted from being moved a bit further away but stubbornly decided to keep my left margin equal − these are the hazards of only having a couple of days to devote to something. I prefer to have various proofs just hanging around the studio for a few days or a few weeks to look at. It’s fast enough to put some ink on the slab bust out a brayer and tweak the print or play with word spacing in the type, add leading, move elements around and “play”.




 

My approach on book and typographic composition comes from my fine art background first where typically a painting or print evolves over a period of time. Blocks of text are tones of color or shades of grey, how they work with whatever other non-typographic elements might be present and the space of the page spread and the overall book design. My early books were far more “experimental” with type I think but not always in a good way, so much forever to learn. I have an advantage, I think, in my book production because I do every part of the process here – I envision the whole of the book from the beginning from material selection to what the cover will look like. Knowledge of paper and bookbinding informs much information on creating the page layout and selection of stock for accompanying art, doing the artwork for the project gives me flexibility in design, and there is no reason why anything can’t change as the project progresses.

this is analog design.   this is letterpress.

 

For those who don’t know, (taken from Wikipedia) Terrance Hayes first book of poetry, Muscular Music (1999), won both the Whiting Writers Award and the Kate Tufts Discovery Award. His second collection, Hip Logic (2002), won the National Poetry Series, was a finalist for the Los Angeles Times Book Award, and runner-up for the James Laughlin Award from the Academy of American Poets. He won the National Book Award for Lighthead.

Hayes poems have appeared in literary journals and magazines including The New Yorker, The American Poetry Review, Ploughshares, Fence, The Kenyon Review, Jubilat Harvard Review, West Branch, and Poetry.

In September 2014, he was honored as one of the twenty-one  2014 fellows of the John D. and Catherine T. MacArthur Foundation – one of the most prestigious prizes that is awarded for artists, scholars and professionals.

 

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Manhattan Fine Press Book Fair ~ Book list for April 5th & 6th

27 Thursday Mar 2014

Posted by Deep Wood Press in Books, Broadsides, Letterpress, Manhattan Fine Press Book Fair, PR and Media releases

≈ 4 Comments

Tags

Broadside, Chad Pastotnik, fine press books, intaglio prints, Letterpress, linocut, travel, wood engravings

This is just a little list of items I’ll have available for next weeks big show in New York. I’m pulling out some of the older titles I haven’t shown in a while where there may only be one or two copies left for sale and I’ll also have some of the broadsides available for purchase.

Looking forward to meeting some new people whom I’ve only had the pleasure of communicating with online or snail mail. Chris Adamson, who has the excellent blog Books and Vines, will be attending the show along with a few others coming in from all parts of the world. Hope to see some of you there!

Books:

  • The Intruder, by Robert Traver with wood engravings by Jim Westergard
  • Heart of Darkness, by Joseph Conrad illustrated by Marc Castelli
  • The Path, by Sigrid Christiansen with lino cuts by Chad Pastotnik
  • Saturnalia, by H.P. Lovecraft with a collagraph by Chad Pastotnik
  • Killing The Bear, by Judith Minty with wood engravings by Glenn Wolff
  • There Be Monsters, written and illustrated by Chad Pastotnik with lino cuts
  • The Changeling’s Exile, by Gerard Wozek with an intaglio print by Chad Pastotnik
  • The Frogs Who Wished A King, Aesop with intaglio prints by Chad Pastotnik
  • Ripping Oblivion, written and illustrated by Steve Toornman with his intaglio prints
  • The Legend of Minisens, by Judith Hitz with lino cuts and intaglio by Steve Toornman, Meredith Krell and Chad Pastotnik
  • Folly, written and illustrated by Erin Murray with lino cut. Erin was my star apprentice a couple years back.

Broadsides:

  • The Mad Angler’s Manifesto, by Michael Delp with lino cut by Chad Pastotnik
  • If, by Rudyard Kipling with a wood engraving by Chad Pastotnik
  • Along With Youth, by Ernest Hemingway with a wood engraving by Jim Horton
  • The Trout in Winter, by Jerry Dennis with an intaglio print by Glenn Wolff
  • Where They Run, map of Montauk Point, Long Island. Intaglio by Glenn Wolff
  • September Inverness, by Robert Hass

I’ll also have along some other small ephemera which is rarely seen outside the studio.

"The Intruder" cover
The Intruder
Heart of Darkness by Joseph Conrad, regular edition binding
Heart of Darkness
Saturnalia
Cover for the book There Be Monsters
There Be Monsters.

Cover of The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
The Path
Cover for The Changeling's Exile
The Changeling’s Exile
Killing the Bear by Judith Minty
Killing the Bear

Minisens
Ripping Oblivion
The Mad Angler’s Manifesto
If

The Trout in Winter
Along with Youth by Ernest Hemingway broadside
Along with Youth
Where They Run
September Inverness

 

 

 

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The Mad Angler now available for purchase & some pics from last weekends book release for The Path

11 Wednesday Sep 2013

Posted by Deep Wood Press in Broadsides, Letterpress, The Mad Angler's Manifesto, Trout

≈ 4 Comments

Tags

Broadside, Chad Pastotnik, Color reduction linocut, linocut, Mad Angler's Manifesto, Michael Delp, Printing

I finally got The Mad Angler’s Manifesto on my website last night and it is available for purchase. It can be found here along with all the other books and broadsides.

Last Friday was a release party in Ann Arbor, MI for The Path a recent book of mine inspired by a song from Sigrid Christiansen. A very big difference hearing the tune around a crackling “up north” campfire and then hearing a full production with a lineup of backing players any musician would gladly have. Johnny’s Speakeasy is an excellent classy house concert series that’s been going on for years now in an old German apple cellar right on the edge of town. Here’s some pics from the evening performance:

Performance for "The Path"

Sigrid and the Hill Tillers
A little burlesque

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CD packaging
CD packaging
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The Trout in Winter
The Trout in Winter
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Saturnalia
Saturnalia
Glenn's intaglio plate
Glenn’s intaglio plate
Cover for the book There Be Monsters
There Be Monsters.
Don Etherington binding of The Intruder
Don Etherington binding of The Intruder
smithspinebx
Title page from Killing the Bear by Judith Minty
Title page from Killing the Bear by Judith Minty
Killing the Bear by Judith Minty
Killing the Bear
Deluxe copy of The Changeling's Exile
Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
Tedprize
The 6th etching for the book, "Entitled"
The 6th etching for the book, “Entitled”
Center Spread
Center Spread
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smithtitle
Spread from Heart of Darkness
Spread from Heart of Darkness
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Title Page
Title Page
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Green Man (1994)
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path2-l
Along with Youth by Ernest Hemingway broadside
Along with Youth
Presentation binding for The Chesapeake Voyages of Captain John Smith
Presentation binding for The Chesapeake Voyages of Captain John Smith
Killing the Bear by Judith Minty, deluxe edition binding & slipcase
Killing the Bear by Judith Minty, deluxe edition binding & slipcase
Deluxe copy of The Path
the process
the process
Ripping Oblivion
Ripping Oblivion
a pile
a pile
img_010339
Deluxe copy of The Intruder
intruder-calf-low
Deluxe copy of The Path
hodspine
Deluxe copy of Heart of Darkness
opening spread for the Frogs Who Wished A King by Aesop
Opening spread for the Frogs Who Wished A King by Aesop, intaglio engravings by Chad Pastotnik.
Cover of The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
mosters title page
Title page for the book There Be Monsters
Pile of books
Pile of Intruders
kirkcover
Where_they_rund
IMG_6035
troutsm
The Mad Angler's Manifesto
The Mad Angler’s Manifesto
cover shot
spine label detail
spine label detail
Caxtonupspine
Cover detail
detail of “The Intruder” cover
Bower by Terrance Hayes
Bower by Terrance Hayes
Deluxe copy of The Intruder
IMG_6040
Opening spread for There be Monsters
Opening spread for There be Monsters
IMG_6027
final print comb 5
A printed sheet next to the type form
A printed sheet next to the type form
1,000 Artist's Books
1,000 Artist’s Books
Don Etherington binding of The Intruder
Don Etherington binding of The Intruder
top
img_010375
Opening spread from Changeling's Exile
Cover for The Changeling's Exile
The Changeling’s Exile
Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
Deluxe Mad Angler Poems
scripta-l
intruder-calf-low
Deluxe Mad Angler Poems detail
JSspread
img_6380
IMG_3901
img_6376
Trout spread
Trout page spread
Tree (1991)
title page from Heart of Darkness
Title page from Heart of Darkness
"The Intruder" cover
The Intruder
IMG_6015
Badger c
Some books produced at Deep Wood Press
Some books produced at Deep Wood Press. The John Barth book “Browsing” was printed here at DWP for The Literary House Press (Washington College, MD) by James Dissette, my sometimes partner in crime in printing for Chester River Press.
If
If
intruder-trout-low
drinky coaster
Glenn's remark
Glenn’s remark
fanned book
The Path
The Path
open box
img_010373-1
front cover
Chained books at Chetham's Library in Manchester, England where I was a keynote speaker at a letterpress conference.
Chained books at Chetham’s Library in Manchester, England where I was a speaker at a letterpress conference.
Heart of Darkness by Joseph Conrad, regular edition binding
Heart of Darkness
Deluxe Mad Angler
type hand-set on a curve
type hand-set on a curve
JPEG image-E3D0B7CFE94E-1
intruder-calfspinelow
Opening spread for Minisens
Opening spread for Minisens
Kafka page spread detail
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The Frogs Who Wished a King
If detail
"The Intruder" cover
prototype for deluxe edition of "The Intruder"
Deluxe edition prototype
IMG_7418
spine title
Wind prom
Deluxe copy of Heart of Darkness
Messing about in boats
Custom bound journal, commissioned work
Custom bound journal, commissioned bindery work
Hand set type and border material for Deep Wood Press promotional item.
the linoleum blocks for "The Path" center spread
the linoleum blocks for “The Path” center spread
TreeAngle
deluxe binding of The Intruder
deluxe binding of The Intruder
Deluxe copy of The Intruder
MAonbox
cover
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