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Chad Pastotnik, Deep Wood Press

~ Fine letterpress and intaglio printing.

Chad Pastotnik, Deep Wood Press

Category Archives: Book Bindings

Qin Guan Details and Photos

27 Tuesday Sep 2016

Posted by Deep Wood Press in Book Bindings, Letterpress, Moon as Bright as Water, Oak Knoll Fest

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Tags

11th Century Chinese Poetry, Chester River Press, David Young - Qin Guan, fine press books, New English Translation, William McNaughton - Qin Guan

As promised, here are some more pictures of the regular edition of Moon as Bright as Water for you to enjoy. This book is exceedingly difficult to photograph with the batiked paper changing color at different angles.

The book is printed in three colors on 150gsm Hahnemühle Biblio and type is composed in Dante. This edition is covered in a sage Asahi book cloth with cotton indigo colored Shizen batik paper with a hint of gold highlights and has a velum spine title. It is housed in a slipcase of warm grey cotton book cloth.

There will be 10 in the deluxe edition which will be quarter bound in a vellum spine with a yet to be determined paper housed in a nice drop spine box. 10 copies reserved for David Young and other contributors to the project. 10 unbound for bookbinders leaving a regular edition of 65 to 70 copies. The regular edition is priced at $650.00, unbound copies are $400.00

I will have it on my website available for purchase upon my return from the Oak Knoll Fest this coming weekend.

cover spread
cover spread
angle highlights gold batik
angle highlights gold batik
top
title page
title page
title spread
title spread
To the Tune "Partridge Sky"
To the Tune “Partridge Sky”
a pile
a pile
spine label detail
spine label detail

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Fine Bindings for Codex & Events in Seattle

02 Monday Feb 2015

Posted by Deep Wood Press in Book Bindings, CODEX, Future Projects, Heart of Darkness, PR and Media releases, The Intruder, The Mad Angler Poems, The Path

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Tags

Books, Chad Pastotnik, Deep Wood Press, Gerard Wozek, John Voelker, Michael Delp, Robert Traver, Sigrid Christiansen, travel

In less than a week I will be in Berkeley California for the Codex International Book Fair & Symposium. Preparations have been going full force here at Deep Wood Press creating new presentation bindings of some of the most recent books and I now have the final draft of my new Kafka translation for The Hunter Gracchus that will preview at the Fair.

A couple of updates from the last post: Exquisite Editions – An International Exhibition of Finely Printed Books now has a web page, so if you happen to be in Dublin, Ireland March 4th – April 18th stop into the National Print Museum for what looks to be a beautiful show of contemporary letterpress book editions.

The lectures and workshop I’m giving for the Seattle Book Arts Guild now has web pages up for the events here. Lectures are Feb. 12th at 7pm at the University of Washington Library, Feb. 13th at Pacific Lutheran University at 4pm and the workshop is Feb 14th & 15th at Pacific Lutheran from 9am-5pm.

With luck I may be able to get one last post up before I leave this week of some pics of the Gracchus prototype but time is running short. I’ll leave you for now with some pictures of some of the presentation bindings I’ll be bringing with me to Codex. Hopefully I will see some of you there!









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Kafka, Dublin, Berkeley, Seattle and leather bits….

10 Saturday Jan 2015

Posted by Deep Wood Press in Book Bindings, Future Projects, Lectures, Letterpress, PR and Media releases, Workshop

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Tags

Chad Pastotnik, Codex Book Fair and Symposium, Deep Wood Press, Franz Kafka, Jamie Lee Searle - Franz Kafka, National Print Museum, Seattle, Seattle Book Arts Guild, The Hunter Gracchus, University of Puget Sound

I wish I had some beautiful pictures of new work to add to this post but alas, sometimes running a business and being an artist has nothing to do with actually making art! Fear not, the pictures are coming soon.

 

The Hunter Gracchus

The most newsworthy part of “not actually making art” is probably the long negotiating process I recently concluded with a literary translator from the UK who I have retained to create a new rendition of Franz Kafka’s The Hunter Gracchus. Gracchus is a project I’ve been waiting on for at least a decade and after yet another round earlier this summerFranz Kafka trying to secure rights to reprint from Schocken/Random House was a bust. I needed permission to reprint the original translated version by the husband and wife team of Edwin and Willa Muir in the 1940’s. I decided to look further into Kafka’s estate and was happy to discover that his works are now considered out of copyright in both the EU and USA – in the German anyway.

Here’s where Jamie Lee Searle comes into the picture. There are more translators available for hire in the the EU for reasonable rates than the US, go figure, and most based in the US are busy academics so I had some research and inquiries to make before I could even approach someone I felt competent for the project. While I can’t read German I admired the breadth and selection of titles that Jamie has done and she is quite well regarded by her peers so I sent her an inquiry last October about the project. I am happy to say I will be getting the first drafts in the next few days and hope to have at least some prototype pages to show at Codex next month. I’ve recently acquired the matrices for casting the typeface Weiss in 4 sizes and with luck the Linotype will cooperate and give me 50 good lines as it is bitterly cold outside right now at 6º (-14 C) and it is difficult to convince any of these old cast iron and steel behemoths to perform well in these temps.

Dublin

I’ve also been working on a presentation binding for the last of the deluxe editions of The Heart of Darkness. This binding is for an exhibit at The National Print Museum in Dublin, Ireland which I am happy to be part of along with 24 other invited fine press printers from around the world. There are just a couple copies of this book left in the regular edition and this is the last of the deluxe copies for sale. A good run for a book that was finished 4 years ago and was probably the most fun project that I did in partnership with Chester River Press.

Berkeley − codex

I’ve been working on more presentation bindings/deluxe editions of my most recent books in preparation for the CODEX Book Fair and Symposium coming up in February 8th – 11th where I will be at my table full of Deep Wood Press books. There will definitely be pictures of unique bindings and books gracing this blog in the very near future as these projects near photo worthy stages so please stay tuned.

” Over 200 of the world’s most distinguished book artists and artisans, private presses, and fine art publishers will be exhibiting their work at the upcoming biennial CODEX International Book Fair. This is the largest book fair of its kind in the world today!

  There is no better place to find and collect the world’s greatest contemporary artist books, fine press books, and fine art editions than at CODEX. Now in it’s 10th year, CODEX has been acknowledged as the leading International Fine Press and Artist book fair. Exhibitors are coming from Germany, UK, Italy, France, South America, The Netherlands, Mexico, Israel, China, Austria, Poland, Australia, Russia, and Japan. The event also attracts special collections librarians, curators, and private collectors from all over the world. “This is THE place to see the latest work from ‘the best of the best’ “ states Peter Rutledge Koch, Founder of the CODEX Foundation.

  Coinciding with the Book Fair is a two-day CODEX Symposium that takes place at the Anna Head Alumnae Hall in the mornings before the Book Fair on February 9 & 10. “

– see you in Berkeley at CODEX, come join the madness!

Seattle − workshop & lecture

I’ll also be teaching a workshop and giving a couple talks in Washington state  immediately following Codex on February 12th – 16th. I am teaching a workshop for the Seattle Book Arts Guild on the 14th & 15th from 9:00am-5:00pm Reduction and Multi-block Color Printing with Linoleum Blocks for Letterpress at Pacific Lutheran University, Tacoma, see here for contact information. I’ll be giving a talk which will be an overview of the evolution of Deep Wood Press over the past 23 years for the Guild on the 12th and also at the University of Puget Sound on the 13th.

 

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Along with Youth by Ernest Hemingway broadside
Along with Youth
The wood engraving and part of the type set up on the galley.
The wood engraving and part of the type set up on the galley.
Killing the Bear by Judith Minty, deluxe edition binding & slipcase
Killing the Bear by Judith Minty, deluxe edition binding & slipcase
Casting display type on the Linotype.
Casting display type on the Linotype.
the linoleum blocks for "The Path" center spread
the linoleum blocks for “The Path” center spread
Opening spread for There be Monsters
Opening spread for There be Monsters
If
If
Opening spread for Minisens
Opening spread for Minisens
Killing the Bear by Judith Minty
Killing the Bear
Cover for The Changeling's Exile
The Changeling’s Exile
Pile of books
Pile of Intruders
Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
Title Page
Title Page
Trout spread
Trout page spread
Cover for the book There Be Monsters
There Be Monsters.
The Mad Angler's Manifesto
Glenn's remark
Glenn’s remark
Opening spread from Changeling's Exile
Fancy type mortising (kerning)
Fancy type mortising (kerning)
cover title
Center Spread
Center Spread
The Path
The Path
cropped-img_4316.jpg
"The Intruder" cover
The Intruder
Chained books at Chetham's Library in Manchester, England where I was a keynote speaker at a letterpress conference.
Chained books at Chetham’s Library in Manchester, England where I was a speaker at a letterpress conference.
"The Intruder" cover
Secondary edition. The Mad Angler's Manifesto
Secondary edition. The Mad Angler’s Manifesto
Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
Sheet and type form on the press
Sheet and type form on the press
Presentation binding for The Chesapeake Voyages of Captain John Smith
Presentation binding for The Chesapeake Voyages of Captain John Smith
The Trout in Winter
The Trout in Winter
mosters title page
Title page for the book There Be Monsters
Printing "The Intruder" on the Vandercook OS 219
Printing “The Intruder” on the Vandercook OS 219
opening spread for the Frogs Who Wished A King by Aesop
Opening spread for the Frogs Who Wished A King by Aesop, intaglio engravings by Chad Pastotnik.
If detail
Poetry by Nikki Giovanni
title page from Heart of Darkness
Title page from Heart of Darkness
type detail
Detail of title page for the book There Be Monsters
Detail of title page for the book There Be Monsters
Digging, by Seamus Heaney
Digging, by Seamus Heaney
Custom bound journal, commissioned work
Custom bound journal, commissioned bindery work
New studio space
New studio space
Title page from Killing the Bear by Judith Minty
Title page from Killing the Bear by Judith Minty
mayfly
One of the greatest dangers of work not getting done at DWP – a good hatch on the river!
Detail of circular quads used in the type form for Along with Youth
Detail of circular quads used in the type form for Along with Youth
Tying On spread
Typing On page spread
The Frogs Who Wished a King
. . . and charge the big hook jaws . . .
. . . and charge the big hook jaws . . .
vfly
Cover of The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
Heart of Darkness by Joseph Conrad, regular edition binding
Heart of Darkness
Voelker title page
Killing the Bear by Judith Minty
Killing the Bear by Judith Minty
Final page
Final page
Initial letter
Initial letter detail
the process
the process
cropped-printshopsm.jpg
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Book Bindings Books Broadsides ephemera Equipment Fine Press Book Association Future Projects Heart of Darkness Heidelberg Windmill intaglio press Letterpress Linotype Manhattan Fine Press Book Fair Moon as Bright as Water Oak Knoll Fest PR and Media releases Printing The Hunter Gracchus The Intruder The Mad Angler's Manifesto The Mad Angler Poems The Path The Trout in Winter Trout Workshop

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