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Chad Pastotnik, Deep Wood Press

~ Fine letterpress and intaglio printing ~ Celebrating 30 years in 2022

Chad Pastotnik, Deep Wood Press

Category Archives: Workshop

Looking forward towards 2018

09 Tuesday Jan 2018

Posted by Deep Wood Press in Authors and Translators, Books, Breon Mitchell - Franz Kafka, Education, Future Projects, In the Penal Colony, Judith Minty, Letterpress, Mad Parrot Press, The Hunter Gracchus, Workshop

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Tags

Books, Breon Mitchell, Dellas Henke, Fine Press, Franz Kafka, future projects, literature

Here we are, a new year. I’ve been remiss updating this blog but I’ve not been fully idle in my absence so allow me to update you to some of the exciting projects underway here at Deep Wood.

Franz Kafka  —  In the Penal Colony

I will not attempt to summarize In the Penal Colony, it’s a brilliant and important part of Kafka’s canon. But if you are curious here’s a wikipedia link.

I am pleased to present this new previously unpublished translation by the acclaimed Breon Mitchell which will be lavishly illustrated with six etchings by Dellas Henke. This very limited edition is set at 30 copies  divided between Dellas, Breon and myself and will be sold in sheets primarily. I will bind my third of the edition and also produce some presentation bindings.

Dellas has been working on editioning the intaglio prints and is closing in on his end of the project while the rest of the paper lies here at the press waiting as I fuss with last minute layout adjustments.

The book is large a format 10×13 inch (25×33 cm) page size with the text being composed in Janson and printed on Somerset Book White, 175gsm. The intaglio illustrations are “bled print” to the edges. 40 pages. $1000.00 unbound. Advanced inquiries and sales may be made.

Here are some of the image proofs from Dellas, 10×13″ sheets. It should be noted that these are proofs – works in progress – and also were not printed on Somerset stock.

2 indefensa
3 corrupter
4 lost himself
5 mortem
6 Plentitude

Breon Mitchell has translated major works by Günter Grass, Heinrich Böll, Siegfried Lenz and other leading German authors.  His retranslation of Kafka’s Trial received a special commendation from the American Translators Association. His other awards include the ATA’s Ungar Prize , the ALTA Translation Prize, the Kurt and Helen Wolff Prize,  the MLA’s Aldo and Jeanne Scaglione Prize, and the British Society of Authors’ Schlegel-Tieck Prize. He is Director Emeritus of the Lilly Library and Professor Emeritus of Germanic Studies and Comparative Literature at Indiana University, Bloomington.

Dellas Henke learned printmaking a S.U.N.Y. Brockport from Robert Marx. It was there that he saw his first artist’s books- collaborations Marx had made with the activist priests the Barrigan brothers. Henke continued his education at the University of Iowa where he worked with printmakers Mauricio Lasansky and Keith Achepohl and had the remarkable opportunity to learn about letterpress printing from KK Merker and Kay Amert. It was in Iowa that Henke first illustrated with etchings Samuel Beckett’s, “Waiting for Godot” – an edition sanctioned and signed by Beckett. Over the next few years there were further collaborations with Merker and the Iowa Center for the Book where Henke illustrated Beckett’s “Company” and H.D.’s “ Within the Walls and eventually making an illustrated edition of Beckett’s, “Ill Seen Ill Said”. In the intervening years Henke has been the coordinator for the printmaking department at Grand Valley State University where he continues to make prints, paint, and draw. Henke has been involved in more than 200 exhibitions and has been collected by dozens of public institutions.

I would also be remiss mentioning that Dellas was my professor for printmaking in college long ago. Great to be working with him again and his visits north have been a lot of fun fishing, hiking around with his dog Lazlo and telling stories.

Further, it is a thrill to be working with Breon on this project and a fortunate stroke of serendipity with my own project though rather mind bending to be working on two Kafka manuscripts at a time.

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Dellas, working on print arrangement for the book.

Additionally

  • My own Kafka project The Hunter Gracchus  is also coming along but has been completely redesigned to a larger format. More to come soon with that progress.
  • I sadly note the passing of Judith Minty in November. Judith and I produced her short Killing the Bear in 2011 with wood engravings by Glenn Wolff. In her 84 years I hope I amused her for at least one of them….
bear1

Opening spread, Killing the Bear by Judith Minty

  • James Dissette and I have continued planning our new projects for our Mad Parrot Press (formerly Chester River Press) and plan to bring you E.M. Forster’s strange and prescient science fiction story, The Machine Stops. We are also in the planning stages for the iconic childhood rhapsody, Wind in the Willows which will be illustrated by the brilliant linoleum cuts of Vladimir Zimakov. Here’s a taste of his concept art for Badger:

Badger c

Residency and Instruction

One of my distractions lately from making books has been finishing the guest house above “studio B” which is now listed on AirBnB. The space will be used to host collaborators, limited artist residencies and, of course, some additional income…

Use of the studio spaces and instruction can also be negotiated with a stay. Fully (and nicely) appointed letterpress and intaglio print spaces as well as a complete bindery. Visit my main website for much more information about the facilities here.

Airbnb pic

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83767675-29bb-4ef4-9c5d-af42c14f2253
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IMG_5445

View On AirbnbStudio on the Cedar River ~ A Bibliophiles Dream

44.945521 -85.090071

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Kafka, Dublin, Berkeley, Seattle and leather bits….

10 Saturday Jan 2015

Posted by Deep Wood Press in Book Bindings, Future Projects, Lectures, Letterpress, PR and Media releases, Workshop

≈ 1 Comment

Tags

Chad Pastotnik, Codex Book Fair and Symposium, Deep Wood Press, Franz Kafka, Jamie Lee Searle - Franz Kafka, National Print Museum, Seattle, Seattle Book Arts Guild, The Hunter Gracchus, University of Puget Sound

I wish I had some beautiful pictures of new work to add to this post but alas, sometimes running a business and being an artist has nothing to do with actually making art! Fear not, the pictures are coming soon.

 

The Hunter Gracchus

The most newsworthy part of “not actually making art” is probably the long negotiating process I recently concluded with a literary translator from the UK who I have retained to create a new rendition of Franz Kafka’s The Hunter Gracchus. Gracchus is a project I’ve been waiting on for at least a decade and after yet another round earlier this summerFranz Kafka trying to secure rights to reprint from Schocken/Random House was a bust. I needed permission to reprint the original translated version by the husband and wife team of Edwin and Willa Muir in the 1940’s. I decided to look further into Kafka’s estate and was happy to discover that his works are now considered out of copyright in both the EU and USA – in the German anyway.

Here’s where Jamie Lee Searle comes into the picture. There are more translators available for hire in the the EU for reasonable rates than the US, go figure, and most based in the US are busy academics so I had some research and inquiries to make before I could even approach someone I felt competent for the project. While I can’t read German I admired the breadth and selection of titles that Jamie has done and she is quite well regarded by her peers so I sent her an inquiry last October about the project. I am happy to say I will be getting the first drafts in the next few days and hope to have at least some prototype pages to show at Codex next month. I’ve recently acquired the matrices for casting the typeface Weiss in 4 sizes and with luck the Linotype will cooperate and give me 50 good lines as it is bitterly cold outside right now at 6º (-14 C) and it is difficult to convince any of these old cast iron and steel behemoths to perform well in these temps.

Dublin

I’ve also been working on a presentation binding for the last of the deluxe editions of The Heart of Darkness. This binding is for an exhibit at The National Print Museum in Dublin, Ireland which I am happy to be part of along with 24 other invited fine press printers from around the world. There are just a couple copies of this book left in the regular edition and this is the last of the deluxe copies for sale. A good run for a book that was finished 4 years ago and was probably the most fun project that I did in partnership with Chester River Press.

Berkeley − codex

I’ve been working on more presentation bindings/deluxe editions of my most recent books in preparation for the CODEX Book Fair and Symposium coming up in February 8th – 11th where I will be at my table full of Deep Wood Press books. There will definitely be pictures of unique bindings and books gracing this blog in the very near future as these projects near photo worthy stages so please stay tuned.

” Over 200 of the world’s most distinguished book artists and artisans, private presses, and fine art publishers will be exhibiting their work at the upcoming biennial CODEX International Book Fair. This is the largest book fair of its kind in the world today!

  There is no better place to find and collect the world’s greatest contemporary artist books, fine press books, and fine art editions than at CODEX. Now in it’s 10th year, CODEX has been acknowledged as the leading International Fine Press and Artist book fair. Exhibitors are coming from Germany, UK, Italy, France, South America, The Netherlands, Mexico, Israel, China, Austria, Poland, Australia, Russia, and Japan. The event also attracts special collections librarians, curators, and private collectors from all over the world. “This is THE place to see the latest work from ‘the best of the best’ “ states Peter Rutledge Koch, Founder of the CODEX Foundation.

  Coinciding with the Book Fair is a two-day CODEX Symposium that takes place at the Anna Head Alumnae Hall in the mornings before the Book Fair on February 9 & 10. “

– see you in Berkeley at CODEX, come join the madness!

Seattle − workshop & lecture

I’ll also be teaching a workshop and giving a couple talks in Washington state  immediately following Codex on February 12th – 16th. I am teaching a workshop for the Seattle Book Arts Guild on the 14th & 15th from 9:00am-5:00pm Reduction and Multi-block Color Printing with Linoleum Blocks for Letterpress at Pacific Lutheran University, Tacoma, see here for contact information. I’ll be giving a talk which will be an overview of the evolution of Deep Wood Press over the past 23 years for the Guild on the 12th and also at the University of Puget Sound on the 13th.

 

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Panoramic shot of the press room.

21 Sunday Jul 2013

Posted by Deep Wood Press in Equipment, Heidelberg Windmill, Workshop

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Tags

arts, C&P 8x12 OS, C&P Pilot OS, Heidelberg Windmill, Letterpress, Little Giant, Printing, Vandercook 219 OS

DWP pressroom

DWP pressroom

Shown:

  • 10×15 Heidelberg Windmill
  • 12×18 ATF Little Giant
  • 8×12 C&P Platen
  • 19.75×26 Vandercook 219 OS
  • 9×12 C&P Pilot OS

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"The Intruder" cover
The Intruder
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Some books produced at Deep Wood Press
Some books produced at Deep Wood Press. The John Barth book “Browsing” was printed here at DWP for The Literary House Press (Washington College, MD) by James Dissette, my sometimes partner in crime in printing for Chester River Press.
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The Path
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Glenn’s remark
the linoleum blocks for "The Path" center spread
the linoleum blocks for “The Path” center spread
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Deluxe copy of The Intruder
opening spread for the Frogs Who Wished A King by Aesop
Opening spread for the Frogs Who Wished A King by Aesop, intaglio engravings by Chad Pastotnik.
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Pile of Intruders
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Deluxe copy of Heart of Darkness
Deluxe copy of Heart of Darkness
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Saturnalia
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Title page from Killing the Bear by Judith Minty
Title page from Killing the Bear by Judith Minty
Deluxe copy of The Changeling's Exile
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Cover of The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
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The 6th etching for the book, "Entitled"
The 6th etching for the book, “Entitled”
deluxe binding of The Intruder
deluxe binding of The Intruder
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spine label detail
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Title Page
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Don Etherington binding of The Intruder
Don Etherington binding of The Intruder
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CD packaging
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Presentation binding for The Chesapeake Voyages of Captain John Smith
Presentation binding for The Chesapeake Voyages of Captain John Smith
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detail of “The Intruder” cover
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Custom bound journal, commissioned work
Custom bound journal, commissioned bindery work
"The Intruder" cover
Glenn's intaglio plate
Glenn’s intaglio plate
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If
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Killing the Bear by Judith Minty, deluxe edition binding & slipcase
Killing the Bear by Judith Minty, deluxe edition binding & slipcase
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Cover for The Changeling's Exile
The Changeling’s Exile
Spread from Heart of Darkness
Spread from Heart of Darkness
Killing the Bear by Judith Minty
Killing the Bear
Chained books at Chetham's Library in Manchester, England where I was a keynote speaker at a letterpress conference.
Chained books at Chetham’s Library in Manchester, England where I was a speaker at a letterpress conference.
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type hand-set on a curve
type hand-set on a curve
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Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
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a pile
a pile
Along with Youth by Ernest Hemingway broadside
Along with Youth
Center Spread
Center Spread
Don Etherington binding of The Intruder
Don Etherington binding of The Intruder
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prototype for deluxe edition of "The Intruder"
Deluxe edition prototype
Deluxe Mad Angler Poems
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Deluxe Mad Angler
Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
title page from Heart of Darkness
Title page from Heart of Darkness
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Opening spread for Minisens
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Deluxe copy of The Path
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A printed sheet next to the type form
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1,000 Artist’s Books
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Ripping Oblivion
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There Be Monsters.
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Heart of Darkness by Joseph Conrad, regular edition binding
Heart of Darkness
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Title page for the book There Be Monsters
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Bower by Terrance Hayes
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Opening spread for There be Monsters
Opening spread for There be Monsters
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the process
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The Trout in Winter
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