The Wind in the Willows is almost finished and will be shipping in November!
The 75 regular edition copies of the book are quarter bound, rounded and backed, in a very dark green Moroccan goat with a cinnamon cotton book cloth, the endpapers are a printed pattern on mocha Hahnemühle Bugra with a cloth inner hinge. The title is guilt in foil on the spine in copper and silver and a debossed panel on the front cover has Rat & Mole in a crossed oar emblem foiled in copper on dyed grey vellum. The text is set in 14pt Centaur and Arrighi and printed on a custom made cotton rag paper from Papeterie Saint-Armand developed especially for this book. Featuring thirteen multi color and nine 2 color illustrations by Vladimir Zimakov and an introduction from Peter Hunt, large format 10.25 x 14″ (26×35.5 cm)
Copies of the regular edition are still available and are available with a deposit at the
The pictures below are bench prototypes of the finished binding. The inset illustration on the cover will be done on a grey calf vellum and the patterned end papers will be printed this week. Stay tuned for finished photos coming soon!
The deluxe copies of the book are no longer available. Binding will commence on those copies as soon as the regular edition is complete. Look for pictures here in the future as these individual works of book binding explorations come to be. Inadvertently, one longtime customer was mis-marked as wanting a regular edition, to make everyone happy (I hope) there now will officially be eleven copies made in this way.
The printing has been completed and bindery work has been moving along full steam. The printing was all done on my Vandercook 219 OS proof press – nearly 800 runs on the press all hand fed and cranked with over 40 custom ink colors made. But recently it has been a great pleasure having past apprentices and students join in on the arduous process of bindery work. Daniel Schneider (Industrial Rust Press) and Tonya Baumhardt (Snow Fairy Cottage) have been especially instrumental with their more than capable skills and we’ve managed to have some good fun along the way as well. I began the printing of this book in late February of this year with snow drifting outside and today was the first snowstorm of the new winter coming on. Cycles of seasons and books continue here at Deep Wood Press.
This series of photos shows a loose progression from printing to collating, punching sections for sewing holes, cutting and paring the goat skin, foil stamping the title, sewing, rounding and backing and casing in the book blocks.