~ Fine letterpress and intaglio printing ~ Celebrating 30 years in 2022
Gallery ~ Books, broadsides and ephemera
Program for Oxford
Glenn’s remark
the linoleum blocks for “The Path” center spread
More
Opening spread for There be Monsters
CD packaging
The Path
Digging, by Seamus Heaney
Killing the Bear by Judith Minty
What’s left of the block
title page
Detail of circular quads used in the type form for Along with Youth
Trout page spread
Prototype title page
detail of “The Intruder” cover
Center Spread
Custom bound journal, commissioned bindery work
The Diana Gabaldon keepsake for the NWS event in Traverse City, July 7, 2014.
Double throw-out page spread from Heart of Darkness
Fancy type mortising (kerning)
Title page from Heart of Darkness
The Trout in Winter
Initial letter detail
Some books produced at Deep Wood Press. The John Barth book “Browsing” was printed here at DWP for The Literary House Press (Washington College, MD) by James Dissette, my sometimes partner in crime in printing for Chester River Press.
the process
Title page to The Chesapeake Voyages of Captain John Smith
If
Presentation binding for The Chesapeake Voyages of Captain John Smith
Opening spread for the Frogs Who Wished A King by Aesop, intaglio engravings by Chad Pastotnik.
Heart of Darkness
Title page from Killing the Bear by Judith Minty
. . . and charge the big hook jaws . . .
Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
Secondary edition. The Mad Angler’s Manifesto
Killing the Bear by Judith Minty, deluxe edition binding & slipcase
Opening spread for Minisens
Sitting on Hadrian’s Wall in northern England
Pile of Intruders
One of the greatest dangers of work not getting done at DWP – a good hatch on the river!
There Be Monsters.
Killing the Bear
The Changeling’s Exile
Don Etherington binding of The Intruder
It begins
Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
deluxe binding of The Intruder
Detail of title page for the book There Be Monsters
Chained books at Chetham’s Library in Manchester, England where I was a speaker at a letterpress conference.
Saw on A Craftsman Legacy. High Coolness Factor. A good friend prints some flyers on an old Kluge in his garage. Not the same Huh? Bruce
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Thank you Rebecca. Very kind of you.
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Your work takes my breath away.
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