Wind in the Willows Update

06 Friday Mar 2020

Posted by Deep Wood Press in Fine Press Book Association, Mad Parrot Press, Manhattan Fine Press Book Fair, The Wind in the Willows, Vladimir Zimakov

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Kenneth Grahame, Mad Parrot Press, The Wind in the Willows

Just got these linocut proofs shipped to me here in NY from Vladimir Zimakov in Boston to show off to those of you who will be making your way to Manhattan tomorrow for the FPBA Fine Press Book Fair at Saint Vincent Ferrer Church on 869 Lexington Ave. between 65th & 66th St.

As I mentioned in my last post – 2019 was a rough health year so in the interest of making 2020 start out even better I’m offering all regular edition books and broadsides currently in inventory for sale, tomorrow only, at a 10% discount! Internet orders too!

I’ve a commitment from Vladimir that we’ll have the rest of the linocuts by late spring! James Dissette and I have been getting many inquiries from all of you asking for one to be reserved or a solid availability date. I’m happy to report I plan to be printing then binding through the summer to get this much anticipated book out, most likely to debut at the Oak Knoll fair this fall. Once I get back to the studio from this NY trip we will get our last bits of organizing in place, secure the paper and start notifying those of you who have reserved about deposits.

Hope to see you tomorrow at the show!

Manhattan Fine Press Book Fair and other news.

26 Wednesday Feb 2020

Posted by Deep Wood Press in Breon Mitchell - Franz Kafka, In the Penal Colony, Letterpress, Manhattan Fine Press Book Fair, Presentation bindings, The Hunter Gracchus, The Wind in the Willows, Vladimir Zimakov

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Next week I will make my way to Manhattan for the 6th annual Fine Press Book Fair. Though I have gone back and participated in the show two or three other years I have very fond memories of the first fair and the great fun for those of us that journeyed there for it. A highlight being a lovely gathering of fellow printers at Jean Shiff’s home organized by Chris Adamson of the Books and Vines blog. So come join me and 40 other presses from around the world and descend into the ugly basement of the school of St. Vincent Ferrer at 869 Lexington Ave at 66th St on March 7th from 10am to 5pm.

For this years show I will have some lovely presentation bindings for my newly translated edition of Kafka’s In the Penal Colony, other books from my catalog and some progress to show for the forthcoming Wind in the Willows being done with my partner James Dissette and our Mad Parrot Press imprint. Vladimir Zimakov is still working away at the illustrations we’ve commissioned for the book. Otherwise the text layout is complete and edited, just waiting to plug in the images where appropriate. It should be forthcoming this summer for all of you who keep asking! I’m also making progress on my other new translation of Kafka’s The Hunter Gracchus but progress once again is being held up by my intaglio prints that will illustrate. They are mostly complete but my big intaglio press is in “Studio B” with the Linotype machine which is kept just above freezing in the winter months and I just can’t justify heating three buildings at the moment when the average temperature here is 25° Fahrenheit.

*Some of the linocuts forthcoming from Vladimir*

I’ve come to enjoy binding books again! Everything is done “in house” here at DWP from composition of the type via Linotype or handset, illustrations, printing to binding. In recent years I had totally burned out on edition binding even with the help of apprentices and the occasional student. Now my editions have become smaller and while I still do some edition binding a growing percentage of the books are becoming “one off” presentation bindings. Making books is rife with repetition with literally dozens of steps along the way to a finished product. Enjoying any part of the process is important to keep it seeming less like work! My apologies in advance to all the librarians and archivists as I keep lousy track of these things.

I see that it’s been roughly a year since my last post about my work, welcome to 2020! I wish that I had more news for you but 2019 was sort of a null year and the old adage of “no news is good news” unfortunately falls short in this case. Some routine medical procedures with complications started out the summer and upon full recovery from that I was shortly after diagnosed with Lyme Disease! The good news is that it was caught early and I’ve made pretty much a full recovery but lost months of studio work time as a result. Regardless, I’m one of the lucky ones. I have friends and family who weren’t diagnosed in time or misdiagnosed with this terrible disease and now suffer the full effects of it. A mere couple years ago this wouldn’t have even registered with doctors in Northern Michigan as a possibility but, unfortunately, the infected tick population has made its way here and now diligence must be made with the animals and, even more importantly, the kids looking for ticks and scanning for telltale bites with rings. My heart goes out to those of you in the Northeast and other parts of the country where this has become the new “normal”.

A Long Absence

11 Friday Mar 2016

Posted by Deep Wood Press in Fine Press Book Association, Letterpress, Manhattan Fine Press Book Fair, Moon as Bright as Water, PR and Media releases, The Hunter Gracchus

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fine press books, frustration, future projects, travel

It has been over a year since my last post, my apologies. A few things on the home front have complicated life in the studio tremendously since last spring.

But – I’m back. And there’s a few things I’d like to catch you up on.

First up, I will once again be in New York next month for the FPBA Manhattan Fine Press Book Fair on April 9th. It will be held at the Church of St. Vincent Ferrer across the way from the New York Antiquarian Book Fair at the Park Avenue Armory. With luck, the new Kafka book, The Hunter Gracchus, will be completed and ready for viewing. All of the text is composed, corrected and ready to go in galleys, the paper is here, cover materials and presentation pretty well set. Just something funny about being an artist sometimes and the work doesn’t flow – I am not yet content with my intaglio prints that illustrate Gracchus and I won’t release the book until I am. That’s about it unfortunately.

I have a few small treasures to bring along regardless, a very small book by Robert Frost, Christmas Trees, which is a 100th anniversary printing of the title and a few small broadsides with artwork.

A couple of the galleys of type ready to go for Kafka

An exciting forthcoming project is a new collaboration with my old partner James Dissette which will come out under our Chester River Press imprint. Moon as Bright as Water is a newly translated body of poems by Qin Guan dating from the 11th century Chinese Northern Song dynasty. Never before published, this translation is by William McNaughton and David Young with a foreword by William McNaughton. Jim and I first started talking about this project over 1o years ago and sometimes things just take a little longer to perk their way into existence. Look for it this summer as we are now doing page layouts with the final text editing completed now. Here is an early prototype of the title page for your amusement:

I’ve also been busy here close to home, a collaboration with Blackbird Arts in Traverse City to create a new book arts center in Northern Michigan – Blackbird Book Arts & Press. Work began last fall with planning and moving presses into the space and I am pleased that our initial offerings have been a huge success. The space includes facilities for letterpress, intaglio, silk screen and workspace for bindery activities. Things will ramp up this summer with a variety of workshops and classes given by myself and other talented practitioners of the “black arts” from across the country.

I have been honored with being given one of the 2016 Michigan Traditional Arts Apprenticeship Awards. The grant is administered by Michigan State University Museum’s Michigan Traditional Arts Program. It was established with the support of the National Endowment for the Arts and is sustained through a partnership with the Michigan Council for Arts and Cultural Affairs. This years current apprentice is Daniel Schneider who started working with me last September. Some of you may have met him at the last couple Hamilton Wood Type & Printing Museum Wayzgooses where he has presented his research on worker skill and industrial wood type production.