Wind in the Willows deluxe edition work, CODEX VIII, and Manhattan VI

05 Tuesday Apr 2022

Posted by Deep Wood Press in CODEX, Manhattan Fine Press Book Fair, Presentation bindings, The Wind in the Willows

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Since the completion of the standard edition of The Wind in the Willows I’ve been busy in the bindery working on the 10 deluxe copies of the book. There are an additional 9 books queued up for presentation bindings to fill orders placed in the past few months for my past books including The Intruder, In the Penal Colony, and The Mad Angler Poems so those will make reappearances here in the future in their new clothing as well. I seem to be more a binder than a printer these days….

I am usually loathe to share images of unfinished work and only a couple of these are even close to completion so apologies for the less than stellar images taken with my phone on the bench with plenty of glare. Quite a bit of leather onlay and underlay work, tooling, bits of foil and great fun refining binding structures. I stocked a fair amount of new leathers for this endeavor in both goat and calf as well as a few fair skins that I’ve dyed to suit my needs. These will all be in solander boxes when completed and accompanied by a suite of the 12 full size illustrations from the book.

Cambridge style binding with title inlay. Still working on Toad.

CODEX

This Friday I’m off to CODEX in Berkeley, CA for yet another gathering of fine press makers and book artists from around the globe. I’m excited to see everyone again and have volunteered to help Peter and Susan with all the gory details of show set-up, shopping and general flunky. That’s what friends do!

Visit me at Table 56 to see the new work and catch up.

New York

Upon returning from California I’ve a few days to repack for the Manhattan Fine Press Book Fair on Saturday, April 23rd from 10am – 5pm. The last “in-person” fair I did was Manhattan 2 years ago just as Covid was hitting the USA. I managed to escape back to Michigan unscathed (though quite a few friends were not so lucky) where I have been practicing social distancing and isolation for 30 years now here at DWP.

Winter was lacking in many ways here on the Michigan 45th parallel, bitter cold prevailed but not the kind of snowfall we have historically enjoyed, so cross country skijoring with the dog was a limited activity which is one of the things that keeps me sane during our long winters. Life was interrupted by a power outage during the holidays, I was out for 5 days but the worst part was when power was restored it dumped high voltage through all the buildings and AirBnB rental taking out the furnace controller, refrigerator, ceiling fans, gfci outlets, audio gear and all kinds of other little things that sometimes take weeks to discover. Needless to say, this took priority for a while along with all the fun of dealing with insurance, ordering and installing replacement items.

There is still snow outside as I type this though spring is around the corner. There are geese and ducks on the river verbally making themselves known to potential mates. Coyotes, fox and bobcats are on the prowl and the otters and beavers are enjoying their icy slides. On a sunny day last week I say my first turtle that had emerged from the winter muck to sun himself on a log. A few early hatches that the trout have ignored and when I return from New York trout season opener will have already happened here in Michigan on the 24th. Don’t worry, I’ll keep focusing in the bindery. Mostly. You know I’m looking forward to printing The Machine Stops this fall and the drawings we’re getting from Marc Castelli will blow your minds.

Wind in the Willows Update

06 Friday Mar 2020

Posted by Deep Wood Press in Fine Press Book Association, Mad Parrot Press, Manhattan Fine Press Book Fair, The Wind in the Willows, Vladimir Zimakov

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Kenneth Grahame, Mad Parrot Press, The Wind in the Willows

Just got these linocut proofs shipped to me here in NY from Vladimir Zimakov in Boston to show off to those of you who will be making your way to Manhattan tomorrow for the FPBA Fine Press Book Fair at Saint Vincent Ferrer Church on 869 Lexington Ave. between 65th & 66th St.

As I mentioned in my last post – 2019 was a rough health year so in the interest of making 2020 start out even better I’m offering all regular edition books and broadsides currently in inventory for sale, tomorrow only, at a 10% discount! Internet orders too!

I’ve a commitment from Vladimir that we’ll have the rest of the linocuts by late spring! James Dissette and I have been getting many inquiries from all of you asking for one to be reserved or a solid availability date. I’m happy to report I plan to be printing then binding through the summer to get this much anticipated book out, most likely to debut at the Oak Knoll fair this fall. Once I get back to the studio from this NY trip we will get our last bits of organizing in place, secure the paper and start notifying those of you who have reserved about deposits.

Hope to see you tomorrow at the show!

Manhattan Fine Press Book Fair and other news.

26 Wednesday Feb 2020

Posted by Deep Wood Press in Breon Mitchell - Franz Kafka, In the Penal Colony, Letterpress, Manhattan Fine Press Book Fair, Presentation bindings, The Hunter Gracchus, The Wind in the Willows, Vladimir Zimakov

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Next week I will make my way to Manhattan for the 6th annual Fine Press Book Fair. Though I have gone back and participated in the show two or three other years I have very fond memories of the first fair and the great fun for those of us that journeyed there for it. A highlight being a lovely gathering of fellow printers at Jean Shiff’s home organized by Chris Adamson of the Books and Vines blog. So come join me and 40 other presses from around the world and descend into the ugly basement of the school of St. Vincent Ferrer at 869 Lexington Ave at 66th St on March 7th from 10am to 5pm.

For this years show I will have some lovely presentation bindings for my newly translated edition of Kafka’s In the Penal Colony, other books from my catalog and some progress to show for the forthcoming Wind in the Willows being done with my partner James Dissette and our Mad Parrot Press imprint. Vladimir Zimakov is still working away at the illustrations we’ve commissioned for the book. Otherwise the text layout is complete and edited, just waiting to plug in the images where appropriate. It should be forthcoming this summer for all of you who keep asking! I’m also making progress on my other new translation of Kafka’s The Hunter Gracchus but progress once again is being held up by my intaglio prints that will illustrate. They are mostly complete but my big intaglio press is in “Studio B” with the Linotype machine which is kept just above freezing in the winter months and I just can’t justify heating three buildings at the moment when the average temperature here is 25° Fahrenheit.

*Some of the linocuts forthcoming from Vladimir*

I’ve come to enjoy binding books again! Everything is done “in house” here at DWP from composition of the type via Linotype or handset, illustrations, printing to binding. In recent years I had totally burned out on edition binding even with the help of apprentices and the occasional student. Now my editions have become smaller and while I still do some edition binding a growing percentage of the books are becoming “one off” presentation bindings. Making books is rife with repetition with literally dozens of steps along the way to a finished product. Enjoying any part of the process is important to keep it seeming less like work! My apologies in advance to all the librarians and archivists as I keep lousy track of these things.

I see that it’s been roughly a year since my last post about my work, welcome to 2020! I wish that I had more news for you but 2019 was sort of a null year and the old adage of “no news is good news” unfortunately falls short in this case. Some routine medical procedures with complications started out the summer and upon full recovery from that I was shortly after diagnosed with Lyme Disease! The good news is that it was caught early and I’ve made pretty much a full recovery but lost months of studio work time as a result. Regardless, I’m one of the lucky ones. I have friends and family who weren’t diagnosed in time or misdiagnosed with this terrible disease and now suffer the full effects of it. A mere couple years ago this wouldn’t have even registered with doctors in Northern Michigan as a possibility but, unfortunately, the infected tick population has made its way here and now diligence must be made with the animals and, even more importantly, the kids looking for ticks and scanning for telltale bites with rings. My heart goes out to those of you in the Northeast and other parts of the country where this has become the new “normal”.