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Chad Pastotnik, Deep Wood Press

~ Fine letterpress and intaglio printing.

Chad Pastotnik, Deep Wood Press

Category Archives: Fine Press Book Association

Wind in the Willows Update

06 Friday Mar 2020

Posted by Deep Wood Press in Fine Press Book Association, Mad Parrot Press, Manhattan Fine Press Book Fair, The Wind in the Willows, Vladimir Zimakov

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Kenneth Grahame, Mad Parrot Press, The Wind in the Willows

Just got these linocut proofs shipped to me here in NY from Vladimir Zimakov in Boston to show off to those of you who will be making your way to Manhattan tomorrow for the FPBA Fine Press Book Fair at Saint Vincent Ferrer Church on 869 Lexington Ave. between 65th & 66th St.

Wayfarers All & Wild Wood proofs

As I mentioned in my last post – 2019 was a rough health year so in the interest of making 2020 start out even better I’m offering all regular edition books and broadsides currently in inventory for sale, tomorrow only, at a 10% discount! Internet orders too!

I’ve a commitment from Vladimir that we’ll have the rest of the linocuts by late spring! James Dissette and I have been getting many inquiries from all of you asking for one to be reserved or a solid availability date. I’m happy to report I plan to be printing then binding through the summer to get this much anticipated book out, most likely to debut at the Oak Knoll fair this fall. Once I get back to the studio from this NY trip we will get our last bits of organizing in place, secure the paper and start notifying those of you who have reserved about deposits.

Hope to see you tomorrow at the show!

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Manhattan Fine Press Book Fair and other news.

26 Wednesday Feb 2020

Posted by Deep Wood Press in Breon Mitchell - Franz Kafka, In the Penal Colony, Letterpress, Manhattan Fine Press Book Fair, Presentation bindings, The Hunter Gracchus, The Wind in the Willows, Vladimir Zimakov

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Next week I will make my way to Manhattan for the 6th annual Fine Press Book Fair. Though I have gone back and participated in the show two or three other years I have very fond memories of the first fair and the great fun for those of us that journeyed there for it. A highlight being a lovely gathering of fellow printers at Jean Shiff’s home organized by Chris Adamson of the Books and Vines blog. So come join me and 40 other presses from around the world and descend into the ugly basement of the school of St. Vincent Ferrer at 869 Lexington Ave at 66th St on March 7th from 10am to 5pm.

For this years show I will have some lovely presentation bindings for my newly translated edition of Kafka’s In the Penal Colony, other books from my catalog and some progress to show for the forthcoming Wind in the Willows being done with my partner James Dissette and our Mad Parrot Press imprint. Vladimir Zimakov is still working away at the illustrations we’ve commissioned for the book. Otherwise the text layout is complete and edited, just waiting to plug in the images where appropriate. It should be forthcoming this summer for all of you who keep asking! I’m also making progress on my other new translation of Kafka’s The Hunter Gracchus but progress once again is being held up by my intaglio prints that will illustrate. They are mostly complete but my big intaglio press is in “Studio B” with the Linotype machine which is kept just above freezing in the winter months and I just can’t justify heating three buildings at the moment when the average temperature here is 25° Fahrenheit.

Some of the linocuts forthcoming from Vladimir

I’ve come to enjoy binding books again! Everything is done “in house” here at DWP from composition of the type via Linotype or handset, illustrations, printing to binding. In recent years I had totally burned out on edition binding even with the help of apprentices and the occasional student. Now my editions have become smaller and while I still do some edition binding a growing percentage of the books are becoming “one off” presentation bindings. Making books is rife with repetition with literally dozens of steps along the way to a finished product. Enjoying any part of the process is important to keep it seeming less like work! My apologies in advance to all the librarians and archivists as I keep lousy track of these things.

I see that it’s been roughly a year since my last post about my work, welcome to 2020! I wish that I had more news for you but 2019 was sort of a null year and the old adage of “no news is good news” unfortunately falls short in this case. Some routine medical procedures with complications started out the summer and upon full recovery from that I was shortly after diagnosed with Lyme Disease! The good news is that it was caught early and I’ve made pretty much a full recovery but lost months of studio work time as a result. Regardless, I’m one of the lucky ones. I have friends and family who weren’t diagnosed in time or misdiagnosed with this terrible disease and now suffer the full effects of it. A mere couple years ago this wouldn’t have even registered with doctors in Northern Michigan as a possibility but, unfortunately, the infected tick population has made its way here and now diligence must be made with the animals and, even more importantly, the kids looking for ticks and scanning for telltale bites with rings. My heart goes out to those of you in the Northeast and other parts of the country where this has become the new “normal”.

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Fine Bindings for CODEX and other news!

29 Tuesday Jan 2019

Posted by Deep Wood Press in Breon Mitchell - Franz Kafka, CODEX, In the Penal Colony, Kenneth Grahame, Letterpress, Mad Parrot Press, Presentation bindings, The Wind in the Willows, Vladimir Zimakov

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Codex Book Fair and Symposium, Franz Kafka, Kenneth Grahame

It’s been a busy few weeks getting ready and I’ll be heading to Berkeley starting this Friday to once again attend Codex – CODEX VII Nordica – what is now the biggest fine press fair in the world. Come see me at table #159 about 2/3 of the way to the back on a corner along the left side of the aisle, you can’t miss me. For this big show I’ve prepared a couple presentation bindings of my latest book, a new translation of Franz Kafka’s In the Penal Colony as well as some of my earlier book editions. One of them may be spoken for already and I’m down to my last few copies of this book.

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And another one in a similar motif – I’ve been using a printed sheet for the endpapers that evokes a topographic map as the Penal Colony takes place on an island so decided to continue that on these covers. Both have Hewit spines and dark blue Harmatan goat on the covers that has been extensively blind tooled, both have various onlays of other leather bits are complete in a drop spine box with spine label. Actually, I’m still working on these a bit, fiddly bits….

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The Wind in the Willows — Kenneth Grahame

I will also have with me a prototype page layout for The Wind in the Willows to accompany the first illustration we’ve (Mad Parrot Press) commissioned from Vladimir Zimakov. Conveniently, Vladimir has a table right next to me so we can answer questions and take in the love that surrounds this wondrous book. I’ve gotten more inquiries about this book already than any other ever except maybe the long gone Heart of Darkness and it’s great to share the excitement with people. Here is Pan as found by Rat and Mole during their search for Otter’s poor lost boy Portly from the chapter “The Piper at the Gates of Dawn”. In the book it’ll match the text block size and be a generous three color plate of 8 x 9.25 inches – we hope to have at least ten more of these from Vladimir for the book!

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Apologies for the less than ideal photos. There hasn’t been much sunlight here in Northern Michigan these last couple weeks. Plenty of five degree days plunging to -20 at night and an abundance of snow approaching three feet now. It’ll be good to go to California, I’ll take 60 degrees and rain about now no problem even if I have to dig myself into my house and studio when I return.

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Our poor snowmen are now “at one” with their world….

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Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
Glenn's intaglio plate
Glenn’s intaglio plate
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Deluxe Mad Angler Poems detail
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type hand-set on a curve
1,000 Artist's Books
1,000 Artist’s Books
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Trout page spread
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Killing the Bear by Judith Minty, deluxe edition binding & slipcase
Killing the Bear by Judith Minty, deluxe edition binding & slipcase
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Title page for the book There Be Monsters
The Frogs Who Wished a King
Center Spread
Center Spread
opening spread for the Frogs Who Wished A King by Aesop
Opening spread for the Frogs Who Wished A King by Aesop, intaglio engravings by Chad Pastotnik.
The Path
The Path
The 6th etching for the book, "Entitled"
The 6th etching for the book, “Entitled”
Opening spread for Minisens
Opening spread for Minisens
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Opening spread for There be Monsters
spine label detail
spine label detail
Hand set type and border material for Deep Wood Press promotional item.
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Killing the Bear
Deluxe copy of The Path
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The Mad Angler’s Manifesto
Heart of Darkness by Joseph Conrad, regular edition binding
Heart of Darkness
Green Man (1994)
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CD packaging
CD packaging
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Along with Youth
deluxe binding of The Intruder
deluxe binding of The Intruder
Deluxe copy of The Intruder
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The Trout in Winter
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Kafka page spread detail
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Title Page
Title Page
"The Intruder" cover
prototype for deluxe edition of "The Intruder"
Deluxe edition prototype
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Deluxe copy of The Changeling's Exile
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Deluxe Mad Angler
Bower by Terrance Hayes
Bower by Terrance Hayes
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The Changeling’s Exile
Tree (1991)
title page from Heart of Darkness
Title page from Heart of Darkness
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Title page from Killing the Bear by Judith Minty
Title page from Killing the Bear by Judith Minty
the linoleum blocks for "The Path" center spread
the linoleum blocks for “The Path” center spread
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Spread from Heart of Darkness
Spread from Heart of Darkness
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A printed sheet next to the type form
A printed sheet next to the type form
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If
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Glenn's remark
Glenn’s remark
Custom bound journal, commissioned work
Custom bound journal, commissioned bindery work
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Deluxe Mad Angler Poems
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Deluxe copy of The Intruder
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"The Intruder" cover
The Intruder
Deluxe copy of The Intruder
Deluxe copy of Heart of Darkness
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detail of “The Intruder” cover
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Don Etherington binding of The Intruder
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Ripping Oblivion
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a pile
If detail
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Some books produced at Deep Wood Press. The John Barth book “Browsing” was printed here at DWP for The Literary House Press (Washington College, MD) by James Dissette, my sometimes partner in crime in printing for Chester River Press.
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Saturnalia
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Presentation binding for The Chesapeake Voyages of Captain John Smith
Presentation binding for The Chesapeake Voyages of Captain John Smith
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the process
Cover of The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
Don Etherington binding of The Intruder
Don Etherington binding of The Intruder
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Pile of Intruders
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Cover for the book There Be Monsters
There Be Monsters.
Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
Chained books at Chetham's Library in Manchester, England where I was a keynote speaker at a letterpress conference.
Chained books at Chetham’s Library in Manchester, England where I was a speaker at a letterpress conference.
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Book Bindings Books Breon Mitchell - Franz Kafka Broadsides CODEX ephemera Equipment Fine Press Book Association Future Projects In the Penal Colony Letterpress Linotype Mad Parrot Press Manhattan Fine Press Book Fair Moon as Bright as Water Oak Knoll Fest PR and Media releases Printing The Hunter Gracchus The Intruder The Mad Angler's Manifesto The Mad Angler Poems The Path Trout Workshop

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