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Chad Pastotnik, Deep Wood Press

~ Fine letterpress and intaglio printing.

Chad Pastotnik, Deep Wood Press

Tag Archives: intaglio prints

The Trout in Winter – new broadside

15 Saturday Dec 2012

Posted by Deep Wood Press in Broadsides, intaglio press, Letterpress, The Trout in Winter, Trout

≈ 3 Comments

Tags

arts, Glenn Wolff, intaglio prints, Jerry Dennis, Letterpress, literature, The Trout in Winter

Jerry Dennis, Glenn Wolff and I decided to get together and produce a second edition of our first project together – the long gone, highly sought after and divinely inspired The Trout in Winter.

We can’t remember when it was exactly, around 10 years ago we were probably maddened by the off season and inspired enough to do something about it. We printed 60 copies back then, no pictures or other documentation beyond a few mushy proofs and half set type samples. We sold them fast and we sold them for little money. The one good copy that I thought I had actually turned out to be a variation on the final text layout which was unfortunate because I used it as a template for setting the new type and when Glenn showed up with his last remaining print we all remembered the old story.

As the text is all hand set type and from a case of large display size type (24pt) one tends to have a very finite number of each individual letter. I realized we would quickly run out of lower case “e” and asked Jerry if he wouldn’t mind if we judiciously italicized some words, preferably words with “e”s. Even so far as changing some words on the fly (wonderful to have the author present while setting type) as most profoundly evidenced by the last line where the final word in the manuscript was “leave” but was sacrificed and changed to “go”. All in the futile grasp for artistic perfection and keep the body type all the same throughout the broadside!

We’re somewhat more refined now so we thought we might attempt to express that for this edition as well. Glenn’s copper engraving didn’t do well in the years of idle storage, he made up for it by engraving an additional “remark” on the plate. Some of the lighter detail was quite difficult to wipe so again our edition is limited to 72 pulled copies, maybe we got 65 good prints out of it and now the plate is permanently retired. I took advantage of the opportunity to re-set the type composition, while it is faithful to the original now the capitals have been mortised properly, ligatures added and a much better job on the print quality from the press.

We’ll decide a price when we get together this weekend after the paper is dry (it needed to be soaked for the intaglio printing and kept damp for the letterpress run) to sign and number the edition. We’ll announce when and where you can get it by Monday.

Click on any image for the big picture slideshow.

Jerry and Glenn admiring "The Intruder"
Jerry and Glenn admiring “The Intruder”
Scheming the new changes
Scheming the new changes
Glenn's intaglio plate
Glenn’s intaglio plate
Wiping the intaglio plate
Wiping the intaglio plate
Jerry takes a turn at the intaglio press
Jerry takes a turn at the intaglio press
hand set type form on press
hand set type form on press
Fancy type mortising (kerning)
Fancy type mortising (kerning)
Hand inking the gold initials with a small brayer
Hand inking the gold initials with a small brayer
Cranking the Vandercook
Cranking the Vandercook
A printed sheet next to the type form
A printed sheet next to the type form
The Trout in Winter
The Trout in Winter
. . . and charge the big hook jaws . . .
. . . and charge the big hook jaws . . .
Glenn's remark
Glenn’s remark

The new edition of The Trout in Winter

Words – the only poem Jerry Dennis claims to have ever written

Intaglio – Glenn Wolff’s deft hand with graver and copper plate.

Printed on Somerset Velvet paper buff and composed in Baskerville type, mostly in 24 pt size. Paper is 15.25 x 22.5″ and the intaglio plate is 17.5 x 12″. Printed on a 26 x 47″ BAG Intaglio Press and a Vandercook 219 Old Style here at Deep Wood Press

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“20 years of Deep Wood Press” retrospective show

01 Thursday Nov 2012

Posted by Deep Wood Press in Books, Ladislav Hanka, Letterpress, Workshop

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Tags

arts, exhibition, fine press books, intaglio prints, Letterpress, wood engravings, workshop

This Friday from 6-9 pm is the opening for my exhibit at the Kalamazoo Book Arts Center. The show will be up until December 7th so if you happen to be in the area please stop in to have a look.

In addition to the books that I’ve created or designed over the past two decades there will be a fair sampling of my intaglio and relief artwork framed and hung on the walls. I’m also putting some of the better work produced by my apprentices and collaborators here in the studio. Not so much of the commercial or commissioned work and none of the social garbage I was forced to do to feed myself and family in the early dark years of being letterpress when letterpress wasn’t cool.

I am including some of the early book work and design stuff that I now consider pure “junk”. But it’s honest. None of us (or precious few) start out doing spectacular work and it’s never easy to admit we were once so daft as to think we did. I put in the junk because this particular venue is also a teaching environment and hopefully it will be inspiring for those just getting started on their path into the black arts to see the evolution of someone else’s path. Maybe see the processing of ideas and skills from dreck to my present understanding of what it is.

On Saturday I’m teaching a small workshop during the day at KBAC where we’ll be printing beer coasters. I know, real highbrow stuff, but also very useful for the staff and student community. Back in 2009 I sold the center a platen press which hasn’t got much use, mostly because it’s very intimidating and has the potential to smash body parts if you don’t know what you’re doing. Beer coasters are nice and thick and are easy to pick up and feed into the press – perfect for learning on a platen. As a bonus, who wouldn’t want to have their own custom coaster for the upcoming holiday season?

This Friday is also Art Hop in Kalamazoo so the town will be buzzing with studio visits  and gallery doors being open later into the night. Some of my favorite printmakers are in town such as Mary Brodbeck and Ladislav Hanka – both do amazing work and I’m looking forward to seeing the new stuff and visiting over the weekend.

I’m staying through to Monday to give a studio interview with Rebecca Theile at WMUK, the local NPR affiliate college radio station. I’ll post info about airing dates and availability of an online stream once I know.

 

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a pile
a pile
Deluxe copy of The Path
The 6th etching for the book, "Entitled"
The 6th etching for the book, “Entitled”
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Title page for the book There Be Monsters
The Trout in Winter
The Trout in Winter
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Cover for the book There Be Monsters
There Be Monsters.
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deluxe binding of The Intruder
deluxe binding of The Intruder
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opening spread for the Frogs Who Wished A King by Aesop
Opening spread for the Frogs Who Wished A King by Aesop, intaglio engravings by Chad Pastotnik.
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Ripping Oblivion
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"The Intruder" cover
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Title Page
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Presentation binding for The Chesapeake Voyages of Captain John Smith
Presentation binding for The Chesapeake Voyages of Captain John Smith
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Title page from Heart of Darkness
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the process
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Bower by Terrance Hayes
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Some books produced at Deep Wood Press
Some books produced at Deep Wood Press. The John Barth book “Browsing” was printed here at DWP for The Literary House Press (Washington College, MD) by James Dissette, my sometimes partner in crime in printing for Chester River Press.
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Along with Youth
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The Mad Angler's Manifesto
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Heart of Darkness
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The Path
prototype for deluxe edition of "The Intruder"
Deluxe edition prototype
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Spread from Heart of Darkness
Spread from Heart of Darkness
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Killing the Bear by Judith Minty
Killing the Bear
Killing the Bear by Judith Minty, deluxe edition binding & slipcase
Killing the Bear by Judith Minty, deluxe edition binding & slipcase
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Opening spread for There be Monsters
Opening spread for There be Monsters
final print comb 5
front cover
Glenn's intaglio plate
Glenn’s intaglio plate
Cover for The Changeling's Exile
The Changeling’s Exile
Chained books at Chetham's Library in Manchester, England where I was a keynote speaker at a letterpress conference.
Chained books at Chetham’s Library in Manchester, England where I was a speaker at a letterpress conference.
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CD packaging
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Deluxe copy of Heart of Darkness
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Deluxe copy of The Changeling's Exile
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Glenn’s remark
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Center Spread
Center Spread
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Don Etherington binding of The Intruder
Don Etherington binding of The Intruder
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"The Intruder" cover
The Intruder
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Deluxe Mad Angler Poems detail
The Frogs Who Wished a King
Green Man (1994)
Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
Cover detail
detail of “The Intruder” cover
If
If
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Don Etherington binding of The Intruder
Don Etherington binding of The Intruder
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Opening spread for Minisens
Opening spread for Minisens
Wind prom
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Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
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drinky coaster
JPEG image-E3D0B7CFE94E-1
the linoleum blocks for "The Path" center spread
the linoleum blocks for “The Path” center spread
Custom bound journal, commissioned work
Custom bound journal, commissioned bindery work
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spine label detail
Badger c
type hand-set on a curve
type hand-set on a curve
Trout spread
Trout page spread
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Messing about in boats
Deluxe Mad Angler
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Title page from Killing the Bear by Judith Minty
Title page from Killing the Bear by Judith Minty
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A printed sheet next to the type form
A printed sheet next to the type form
Deluxe copy of The Intruder
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1,000 Artist’s Books
Deluxe copy of The Intruder
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