A different way of geting shown in a gallery…

26 Tuesday Nov 2019

Posted by Deep Wood Press in In the Penal Colony, Letterpress, PR and Media releases

While I was in thick of printing the text pages for Kafka’s In the Penal Colony my old friend Ted Bergin stopped in for a night while traveling. While not his day job Ted is a spectacular photographer and frequently you’ll find his work placing top in regional (and beyond) art competitions. While I’m no stranger to having my work exhibited this is the first time I’ve been the subject on the wall! The first image below won the West Michigan juried regional in the photography category!

I wish I could direct you to a website but the most PR many of pics gets is on Facebook where he gives the subjects (mostly musicians) of his lens free license to use his images in any fashion they’d like.

Thanks Ted!

Fine Bindings for CODEX and other news!

29 Tuesday Jan 2019

Posted by Deep Wood Press in Breon Mitchell - Franz Kafka, CODEX, In the Penal Colony, Kenneth Grahame, Letterpress, Mad Parrot Press, Presentation bindings, The Wind in the Willows, Vladimir Zimakov

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Codex Book Fair and Symposium, Franz Kafka, Kenneth Grahame

It’s been a busy few weeks getting ready and I’ll be heading to Berkeley starting this Friday to once again attend Codex – CODEX VII Nordica – what is now the biggest fine press fair in the world. Come see me at table #159 about 2/3 of the way to the back on a corner along the left side of the aisle, you can’t miss me. For this big show I’ve prepared a couple presentation bindings of my latest book, a new translation of Franz Kafka’s In the Penal Colony as well as some of my earlier book editions. One of them may be spoken for already and I’m down to my last few copies of this book.

And another one in a similar motif – I’ve been using a printed sheet for the endpapers that evokes a topographic map as the Penal Colony takes place on an island so decided to continue that on these covers. Both have Hewit spines and dark blue Harmatan goat on the covers that has been extensively blind tooled, both have various onlays of other leather bits are complete in a drop spine box with spine label. Actually, I’m still working on these a bit, fiddly bits….

The Wind in the Willows — Kenneth Grahame

I will also have with me a prototype page layout for The Wind in the Willows to accompany the first illustration we’ve (Mad Parrot Press) commissioned from Vladimir Zimakov. Conveniently, Vladimir has a table right next to me so we can answer questions and take in the love that surrounds this wondrous book. I’ve gotten more inquiries about this book already than any other ever except maybe the long gone Heart of Darkness and it’s great to share the excitement with people. Here is Pan as found by Rat and Mole during their search for Otter’s poor lost boy Portly from the chapter “The Piper at the Gates of Dawn”. In the book it’ll match the text block size and be a generous three color plate of 8 x 9.25 inches – we hope to have at least ten more of these from Vladimir for the book!

final print comb 5

Apologies for the less than ideal photos. There hasn’t been much sunlight here in Northern Michigan these last couple weeks. Plenty of five degree days plunging to -20 at night and an abundance of snow approaching three feet now. It’ll be good to go to California, I’ll take 60 degrees and rain about now no problem even if I have to dig myself into my house and studio when I return.