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Chad Pastotnik, Deep Wood Press

~ Fine letterpress and intaglio printing ~ Celebrating 30 years in 2022

Chad Pastotnik, Deep Wood Press

Tag Archives: Les Baux-de-Provence

Wood Engraving and typography workshops in Les Baux-de-Provence!

11 Wednesday Oct 2023

Posted by Deep Wood Press in Education, France, Letterpress, Louis Jou, Workshop

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Foundation Louis Jou, Les Baux-de-Provence, Letterpress, wood engraving workshops

A year ago when I first visited Les Baux-de-Provence, France and the Louis Jou Foundation I had no idea at that time what has come to pass. After volunteering for a week of my vacation to help restore some of the presses to working condition and spending another week becoming friends with one of the board members at his incredible studio in Blieux I was asked to join that board and it was then that Jean-Louis Estève and I began a grand plan to bring world class instructors to teach workshops targeted towards international professional artists, typographers and graphic designers. Our goal is to bring awareness about Louis Jou and let students create as a private book printer did in the late 19th and early 20th century on iron hand presses using Jou’s proprietary type faces of his own design and exclusive use with illustration processes Jou used that still thrive today.

I am pleased to say that the first such workshop has been completed with great success! Joanne Price (Starpointe Studio) is the first instructor I selected to bring to France and she taught a wood engraving class to 9 students traveling from the USA, England, Scotland, Portugal and France for 4 days of intense work in Jou’s beautiful studio in the picturesque old walled village within Château des Baux. Due to the relative isolation of Les Baux we prepared and shared many meals together making the workshop even more intimate for those in attendance encouraging friendships and collaborations that will continue into the future.

I will let some pictures speak for themselves.

While the students were working I designed their “diploma” and created the layout of their wood engravings to be printed on the final official day on one of Jou’s three Stanhope iron hand presses, not an easy task utilizing American type high (.918) and French type high (.928) along with a self portrait of Jou that was somewhere around .96 inches. Compounded by needing to work in ciceros and millimeters instead of picas and inches!

The groups finished wood engravings printed as a broadside for all of them to take home and for the Louis Jou Foundation archives. The students also had the opportunity to edition their prints individually.

The “diploma” awarded on completion. The first of its kind! Composed in the type faces designed by Louis Jou in the 1930’s. Apologies for the miserable red press run – the ink was the consistency of maple syrup and resisted all my efforts.

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Future projects and printing in France

18 Tuesday Oct 2022

Posted by Deep Wood Press in Education, France, Letterpress, Louis Jou

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fine press books, Les Baux-de-Provence, Letterpress, Louis Jou

Last week I visited Les Baux-de-Provence and finally made face to face contact with the Fondation Louis Jou along with the Bibliothèque nationale de France to begin a relationship with both organizations for when I will eventually live here on a part time basis with my partner Madeleine Hill Vedel at her home in Avignon just 40 minutes away. Covid had delayed the trip a couple years but now we are back on track. The initial visit was wonderful giving me a chance to assess the current condition of the three hand presses on location and to visit with Atelier du Livre François and Marie Vinourd – book and paper conservators, across the lane.

This weekend and through next week I’ve been invited to stay with Jean-Louis Estève at his home and workshop in the Les Gorges du Verdon region and then we will make our way back to Les Baux where a wood engraving workshop will be given (hopefully I will be doing intaglio if a spare plate is to be found) where we will stay on premise and, with luck, do some initial basic repairs that are needed on the large Stanhope press that Louis Jou printed a majority of his wondrous books on until 1967.

I’m currently moving about Provence until November 7th. I still receive email but my phone is non-functional here until my return and I neglected to update my voicemail before leaving. Apologies to anyone who has tried to contact me for any urgent matter.

    Upon my return to the comparably frigid Northern Michigan I will be right back at finishing the backlog of deluxe and presentation bindings that are lingering on the bench, continue layouts for The Machine Stops with James and interviewing a couple of potential apprentices for the 2022-23 season. Thank you to those who have been patiently waiting for your books, it was not my intention to leave you in expectation for so long.

    It is possible that the book is the last refuge of the free man. If the man turns decidedly to the automaton; if it happens to no longer think that according to the ready-made images of a screen, this termite will end up not reading any more. All sorts of machines will make up for it: he will allow his mind to be manipulated by a system of speaking visions; the color, the rhythm, the relief, a thousand ways to replace effort and dead attention, to fill the void or the laziness of the search for the particular imagination: everything will be there, minus the spirit. This law is that of the herd. The book will always have followers, the last men who will not be mass-produced by the social machine. A beautiful book, this temple of the individual, is the acropolis where thought entrenches itself against the plebs.

    Excerpt from L’Art du livre by André Suarès, written in 1920, printed by Louis Jou in 1922

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