deluxe binding of The Intruder
Detail of title page for the book There Be Monsters
Glenn’s remark
CD packaging
If
It begins
Prototype title page
Title page to The Chesapeake Voyages of Captain John Smith
The Path
. . . and charge the big hook jaws . . .
The bindery room
Killing the Bear
Secondary edition. The Mad Angler’s Manifesto
Detail of circular quads used in the type form for Along with Youth
Opening spread for the Frogs Who Wished A King by Aesop, intaglio engravings by Chad Pastotnik.
Killing the Bear by Judith Minty
Sitting on Hadrian’s Wall in northern England
The Changeling’s Exile
Title page for the book There Be Monsters
title page
There Be Monsters.
Center Spread
Custom bound journal, commissioned bindery work
Bower by Terrance Hayes
What’s left of the block
Opening spread for There be Monsters
Double throw-out page spread from Heart of Darkness
Along with Youth
Presentation binding for John Smith book
Title page from Killing the Bear by Judith Minty
Title Page
Pile of Intruders
Program for Oxford
Initial letter detail
the linoleum blocks for “The Path” center spread
One of the greatest dangers of work not getting done at DWP – a good hatch on the river!
Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
The Trout in Winter
Trout page spread
Presentation binding for The Chesapeake Voyages of Captain John Smith
The Diana Gabaldon keepsake for the NWS event in Traverse City, July 7, 2014.
Spread from Heart of Darkness
Chained books at Chetham’s Library in Manchester, England where I was a speaker at a letterpress conference.
More
Don Etherington binding of The Intruder
Title page from Heart of Darkness
Page spread from The Frogs Who Wished A King by Aesop, versified by Clara Dotty Bates.
Don Etherington binding of The Intruder
Some books produced at Deep Wood Press. The John Barth book “Browsing” was printed here at DWP for The Literary House Press (Washington College, MD) by James Dissette, my sometimes partner in crime in printing for Chester River Press.
Heart of Darkness
Fancy type mortising (kerning)
The Mad Angler’s Manifesto
the process
Killing the Bear by Judith Minty, deluxe edition binding & slipcase
detail of “The Intruder” cover
Digging, by Seamus Heaney
Opening spread for Minisens
Chad Pastotnik, Deep Wood Press 
Saw on A Craftsman Legacy. High Coolness Factor. A good friend prints some flyers on an old Kluge in his garage. Not the same Huh? Bruce
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Thank you Rebecca. Very kind of you.
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Your work takes my breath away.
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