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Chad Pastotnik, Deep Wood Press

~ Fine letterpress and intaglio printing ~ Celebrating 30 years in 2022

Chad Pastotnik, Deep Wood Press

Category Archives: PR and Media releases

Fall workshops in Les Baux-de-Provence, France

08 Saturday Jul 2023

Posted by Deep Wood Press in Broadsides, Education, France, Letterpress, Louis Jou, PR and Media releases

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Foundation Louis Jou, Joanne Price, workshops

As I have mentioned in previous blog entries, I was recruited to join the board of directors of the Louis Jou Foundation earlier this year. One of the duties I am tasked with is to bring instructors to France to continue Jou’s amazing legacy utilizing his workshop, tools and typefaces. I am pleased to announce that we will have two workshops this fall!

More information about the Louis Jou Foundation.

More information about beautiful historic Les Baux and the region.

There is a limited amount of space for students to stay, at no additional cost, and we often create and share meals together as well. A kitchen, dining room and a couple bed rooms with cots are available above the studio spaces within the old village of Les Baux which offers affordability, community and a unique opportunity to experience the ancient history of the citadel after the daily onslaught of tourists. Please inquire about availability and details.

For European students and those who prefer a bank wire transfer rather than paying by PayPal:

Bank: Banque Populaire Méditerranée (BPMED St Remy Provence)
BIC: CCBPFRPPMAR
IBAN: FR76 1460 7002 4500 4531 1510 266
ID Nationale: 14607 00245 00453115102 66

Account holder: Fondation Louis jou/ Chez Mme Danset
Account holder address: 37 B Bd Saint Jean de Dieu, Bat A2, 13014 Marseille

Wood Engraving
Instructor: Joanne Price, assisted by Chad Pastotnik
October 6-9th, 2023

$327

Link to register with Joanne here. Limited to 8 students.

Wood engraving is the perfect at-home print process – It’s portable, meditative, and no printing press is necessary.

Learn to cut a design into end-grain wood blocks through demonstration and hands-on practice. Instruction covers material basics, creating and transferring images, tool sharpening, engraving, DIY printing, plus pro tips and tricks. Most materials are included in the tuition cost. The Louis Jou Foundation provides the perfect venue for a wood engraving course with the advantage of viewing their extensive collections of engraving blocks, prints and museum collection that includes works by Dürer and Goya. Plus, the views from the high, rock of Les Baux in rural France are hard to beat. English and French speakers are welcome!

This is a great course for beginners and those with intermediate skill levels. No previous experience is necessary, but it is helpful to have some previous drawing experience. Instruction will cover materials, creating and transferring images, tool sharpening, engraving, proofing and printing on one of the Stanhope iron hand presses.

Link to Joanne’s website StarPointe Studio

Materials provided by the Louis Jou Foundation:

  • sketch (tracing) paper
  • printing paper, Arches or similar.
  • some tools available
  • printing ink, rollers
  • Stanhope presses
  • 2 end grain maple blocks for engraving will be provided by the instructor, additional blocks may be purchased subject to availability.

Students bring:

  • Pencil
  • Eraser
  • Ideas or sketches for 5cm x 7.5cm (2 x 3 inch) images.
  • small, portable desk light
  • Reading glasses, if needed for detail work — or an OptiVISOR or other magnifier, if you have one and can bring
  • If you have your own engraving tools, please bring them though some are available for use at the foundation. If you prefer to order your own basic set of engraving tools, I have provided a list of suggestions below. If you have a set of engraving tools, first check to see if what you have is the same – u-gouges and v-gouges will not work well on end grain wood.
  • A minimum, basic set of 3 engraving tools is suggested:
    • #1 Elliptical Tint tool (Spitsticker)
    • #52 Round Graver (Scorper)
    • #54 Round Graver (Scorper)
    • #3 Elliptical Tint Tool (spitsticker) can be a good substitute for the #52 Round Graver

Linoleum Cut and Broadside (type composition)
Instructor: Chad Pastotnik
October 20-23rd, 2023

$327

Link to register with Chad here. Limited to 8 students.

Linoleum cutting is a great introduction to relief printing. Learn to make your own linocuts and create a broadside (poster) to pair your image with words. Broadsides are a grand tradition in the printing arts that allow an artist to express themselves with imagery and words – Louis Jou did many such works. Students will learn how to use the tools, create a single color or multicolor image, setting printers type by hand, type compositional theory and printing on the iron hand presses. Students will have the unique opportunity to use the typefaces designed by Louis Jou and cast into hard foundry type for him in the early 20th century Spain, these types are not available anywhere else on the planet!

Materials provided by the Louis Jou Foundation:

  • Sketch (tracing) paper
  • Printing paper, Arches or similar.
  • Some tools available
  • Printing ink, rollers
  • Stanhope presses
  • Unmounted linoleum will be provided by the instructor, additional pieces may be purchased subject to availability.

Students bring:

  • Pencil and eraser
  • Ideas or sketches for 8x13cm (3×5″) and 12x20cm (5×8″) images
  • Relief cutting tools if you have them, some tools will be available to use at the foundation. A cheap Speedball set is adequate for the beginner.
  • Ideas for a short poem, recipe, statement, sign, etc. 
  • * Try to keep it short, less than 10 lines or 200 words!
  • If you are planning to set type in English beware that French has very few individual (sorts) in the typecase of the letter “w” among other unique characteristics of the French language and characters used.

These workshops are designed for:

– the amateur who wishes to discover and understand by doing, rediscovering the manual characteristics of these rare and forgotten techniques.

– the more experienced – a professional artist who wishes to deepen their knowledge of this technique and the vocabulary of its history and use, with the goal of expanding their range of personal expression.


The village of Les Baux-de-Provence, perched on a spur of rock, has an incredibly diverse architectural heritage including an extraordinarily beautiful citadel that towers over the surrounding countryside. The exceptional decor brings memories of the past back to life, upholds traditions, is home to the art of the people who lived here and plays host to prestigious events. Les Baux-de-Provence is a listed heritage site that has won titles such as “One of the Most Beautiful Villages in France.” There are no cars allowed in the village after morning deliveries.

Hotel Jean de Brion – Louis Jou Foundation

This 16th-century building was harmoniously restored by Master Typographer Louis Jou who, in doing so, played his part in the conservation and revival of the village.

The finest works of Louis Jou are exhibited alongside his furniture and collections -ancient books, engravings by Dürer and Goya, paintings, sculptures and ceramics – in the intimacy of the 6 rooms of the Renaissance Jean de Brion Mansion.

A talented artist, engraver, illustrator and publisher, Louis Jou exerted a decisive influence on contemporary books with his work combining creative power and perfect execution.

The person that the poet and publisher Pierre Seghers called the “architect of the book and of Les Baux” was close to artists such as Marquet, Picasso and, above all, André Suarès.

In 1939 Jou decided to settle in Les Baux-de-Provence in the heart of the Jean de Brion Renaissance Mansion that he restored from top to bottom and which since his death in 1968 had remained intact but closed until the formation of the Louis Jou Foundation in 2017.

Committed to creating an activity around books, the Foundation leases space to Atelier du Livre François Vinourd – famed for the quality of its restorations of precious manuscripts, archives and works – in place on the ground floor of the hotel Brion.

Upstairs there’s the library created by Louis Jou: 5,000 volumes going from the 16th to the 19th centuries, with a superb collection of travel stories, and a room reserved for exhibitions.

Opposite, there’s the Workshop with its three Stanhope presses in perfect working order, a wood framed intaglio press, type and other materials used at the time of courses, events and demonstrations.

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A different way of geting shown in a gallery…

26 Tuesday Nov 2019

Posted by Deep Wood Press in In the Penal Colony, Letterpress, PR and Media releases

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While I was in thick of printing the text pages for Kafka’s In the Penal Colony my old friend Ted Bergin stopped in for a night while traveling. While not his day job Ted is a spectacular photographer and frequently you’ll find his work placing top in regional (and beyond) art competitions. While I’m no stranger to having my work exhibited this is the first time I’ve been the subject on the wall! The first image below won the West Michigan juried regional in the photography category!

I wish I could direct you to a website but the most PR many of pics gets is on Facebook where he gives the subjects (mostly musicians) of his lens free license to use his images in any fashion they’d like.

Thanks Ted!

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